![]() ![]() It is also worth noting, as discussed later on, that these books should be considered a useful resource beyond the confines of the syllabus. ![]() This would be a huge post if I covered every aspect of the syllabus in detail, so I want to focus here mainly on the books and repertoire themselves. There is much to explore in the syllabus, and I would encourage teachers and students to find out more and download the syllabus and sample pack from the RSL website. A free-choice piece is allowed, and I understand there will be additional repertoire lists available on the website. Unlike other boards, pieces are not divided into lists allowing free choice from the 10 pieces included in each book. ![]() Technical work falls generally into three categories: scales, arpeggios and technical studies. Graded Music Exam: three pieces, technical exercises and supporting tests.Īll graded music exam candidates cover ear tests and general musicianship questions, and can choose between sight-reading and contemporary improvisation/interpretation.In particular, technical issues are highlighted enabling candidates to approach these with confidence and a sense of preparedness. Pieces are supported by a fact file and performance notes which give background to both piece, composer and style. Each book contains all the material for the respective grade. In this blog post, I’m going to be reviewing the nine graded books which accompany the syllabus. Best known for the Rockschool assessments, and now in its 30th year, RSL have recently introduced a brand new Classical Piano Syllabus which I feel pretty sure is going to be a big hit with teachers and students alike. ![]()
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